Yes this OTT bloody small screen show has been finished a while now from 2013 until late 2015, but thanks to Netflix I am binge watching it all over a few weeks. I had started with the first series on dvd a while ago but writing put a stop to it. Well now I’ve got right to the end of this series.
I would think that this series got to go ahead due to the huge success of American Horror Story which began in 2011 showing that what could be done with a long running small screen horror series with a decent budget. An audience is there for this kind of thing, and in big number it would be revealed.
And so along came Hemlock Grove a couple of years later as the first real competition to that show. Whereas AHS for the first couple of seasons was really fairly serious and intense, Hemlock Grove was more of an opened up story, with a variety of characters and tones. It reminds me of a number of horror novels I have read, possibly like some Stephen King or Graham Masterton. The show was executive produced by horror director Eli Roth (he of Hostel, Cabin Fever and recently Green Inferno ) a youngish director always pushing at boundaries of taste, censorship and extreme terror on screen. This gave us some suggestion of the kind of show it might be and also how it would possibly differ or be even more shocking that AHS.
From early on, in trailers and promo publicity we learned about the infamous (and kind of physically impossible) werewolf change scene near the start of the series. This was made out to be one very over the top and gore filled show. Is it more that just that?
Adapted from the book by Brian McGreevy (who also developed and helped write the show) it follows the young gypsy Peter Romancek who moves to Hemlock Grove with his mother. They have some family past there from a long time ago, and soon after started at the local school Peter connects up with spoilt rich kid Roman Godfrey, heir to the Godfrey estate. The research building and company with the Godfrey name works on various kinds of biological research and experimentation. Local teens begin to be found dead more and more as Peter and Roman learn of the secrets each holds from the community around them.
The show looks really great. This was one of the very first made exclusively by Netflix, and it has great cinematography, sets and locations and costume design. The influence of shows such as Twin Peaks and the Hammer horror films can be seen regularly. As it focuses largely on the two teen characters of Peter and Roman, it has a more jaded, melodramatic feel but that also goes for the show in general. The mother of Roman, Olivia is played by Famke Janssen is often acting high camp like a light headed Morticia Adams. It can often feel like The Breakfast Club meets a number of classic modern horror films.
I did feel that the show started slowly, but keeping on with it past the third episode I did get to like what was going on and whole feeling of the show. Yes sometimes the acting may be a little hammy and overdone but it has a number of great genre elements and eventually they explode all over the screen with bloody vitriol.
This first season deals with the hunt for a mystery serial killer of teens, while many at the school suspect Peter, even as a werewolf (which he really is) but he and Roman unite to connect up the clues which reveal a much deeper terror. Other characters come into the show to help and hinder their search.
The show also follows the interconnected tensions and troubles between the two main families and how the past is setting up the present for them.
There may have been a few times after the half way mark when it was getting repetitive but it was still the kind of show that I had wanted to see on television and which is very rare. It can be more like a soap opera than AHS but also it is in some ways more emotional and dramatic, as there are characters that the viewers does empathise with as they attempt to stop the werewolf on the loose and the deadly plans of the Godfrey research empire.
James E. Parsons is author of Orbital Kin and Minerva Century-both available from Amazon, Waterstones ,Barnes & Noble, WHSmith in paperback/hardback/ebook and from other good bookshops. His new horror novel is due in 2017.