LEGION- TV Review

Alright so this show was originally shown back around Feb/April time but I have only just got to watching all of it in just over one week with my wife. I had read and heard so many good things about this show, seen many funny and quirky gifs and clips. Right back then months ago, I did start to watch the first episode but well…life got right in the way. This happens from time to time.

So with LEGION what have we got? This is a show connected to the X-Men comicbook and film series. Not exactly a real spin-off show, but the characters do come from that same place and in future the show may overlap with the films. This is not just the X-Men you already know for small screen pleasure. No, this show and this main character LEGION/David Haller are both very complex, tricky things to understand right away but enjoyably so.

This is not a superhero comicbook show like the Arrow, Flash, Smallville and others. Legion or David is a very sick and confused young man and also a mutant-but he does not know that part right away. He is diagnosed with schizophrenia and in a mental hospital. We meet him when some unusual men in suits come to question him one day. This does not go well. Soon after David is outside, having escaped with a young woman called Sydney (also a patient inside) and he goes with her to join a secret group who say they can help him with himself and the real truth.

From the very start this is a highly unusual quirky, funny, strange show. If you have been becoming bored or tired with the very familiar mutant heroes of the X-Men world, well here we get a much more troubled and difficult character. David narrates his past early in the show but how much of it is the real truth? How much of it is real memory, fantasy or even thoughts from his other personalities?

So while that does seem very challenging to get to grips with there is steady regular humour through the series. It knows that the premise is bizarre and kooky so it gives us that with a sly wink and knowing style. It often pays homage to films such as 12 Monkeys, Fight Club, One Flow Over the Cuckoos Nest and many others. There are regular often hilarious musical sequences cut between the equally very dark and troubling memories and forces show within David and chasing him.

Like the Deadpool movie, this show offers us something much different to the usual superhero action and buff and beautiful perfection all the way. LEGION can almost be uncomfortable at times, as it focuses on personal psychological trauma and mental states. It is based on a comicbook, but like the recent Netflix Marvel shows it can come across as very real and quite powerful emotionally at times.

Will everyone like this show? Possibly not. Will everyone keep track of it, follow the plot and understand it all the way to the end of the series? I’ll be honest there were two or three times at least where I almost lost track and had to stop and mentally go back a little. This is not a simple action adventure run-of-the-mill show like Legends of Tomorrow or Arrow. At times you have to pay really good attention to where the story is with this crazy gem.

Alright so it doesn’t perhaps work all the way right through the series, but really just about. It could simply be that we’re watching a superhero comicbook tale but the villain is not a totally straight forward regular kind of enemy we see in the Marvel or DC movies. David is not exactly a simple nice or likable hero character and so far into the show we almost think it could be that we really don’t like this guy any longer. He new mutant friends are also a damaged and interesting bunch of characters. Some of them not telling the whole truth, some of them scared, confused or angry with him and events around them.

Like I said earlier though it is often a very funny show, but it is a show which balances very well a number of dramatic and emotional styles. The producers and writers obviously had a good deal of courage and faith in this very different comicbook show but it has really worked for them.

If you are a fan of the X-Men films and the Marvel Netflix shows you should really give this a go right now.

 

James E. Parsons is author of two SF books Orbital Kin and Minerva Century books out now in all good bookshops and online shops. His first horror novel is due late 2017.

Look Out For … Nights of the Living Dead edited by Jonathan Maberry and George A Romero — This Is Horror

Look Out For … Nights of the Living Dead edited by Jonathan Maberry and George A Romero “It’s with a reflective mood that we’re looking forward to seeing what some of the genres finest writers are bringing to the very start of Romero’s legacy” In 1968 the world experienced a brand new kind of terror…

via Look Out For … Nights of the Living Dead edited by Jonathan Maberry and George A Romero — This Is Horror

Frankenstein (2015) Film Review

There have been so many films over the decades based upon the hugely influential and famous book by Mary Shelley. This new version I watched a week ago does change things around just a little and because of this does bring some new things to the story.

This Frankenstein film is directed by Bernard Rose (most famous for directing the first Candyman movie) and starring Carrie-Anne Moss, Danny Huston, Xavier Samuel. The begins right away with the ‘birth’ of the monster, this time called Adam (played by Xavier Samuel). We see that he is created in secret by married scientists Carrie-Anne Moss and Danny Huston. They run tests, try to teach him skills, and he starts life much like a naïve simple child. He does though possess a dangerous increased strength and eventually this almost has him terminated. After struggle, Adam escapes and runs away alone.

After this it moves along in similar fashion to the original story-the monster/Adam meets and accidentally kills a small girl, runs from police officers, blood is spilled as he runs on alone, confused and desperate.

The film is told from the point of view of the monster/Adam and set in our modern world. This does make it fairly more believable and more tragic in some ways. This does contrast in my mind with the large scale, big budget mid-90’s film version starring De Niro as the monster, with huge sets and costumes and set way back around the time that the original book was written.

Adam soon meets a friendly homeless blind-man on the streets who tries to give him advice and help him to understand people and how the world around them works. If you know the story, you can expect that eventually it all does again fall to pieces with increasing death and destruction around Adam. The end is more different to how the tale usually winds up and is trying to say something through the eyes of the monster this time.

Bernard Rose is a very talented director and while this film has a fairly low budget he does take care in crafting a very thoughtful and poetic film, while it does not shy away from explicit bloodshed and gore fairly frequently. It is probably one of the more bloodsplattered versions of Frankenstein on film but this does not ruin the film. Another director doing the same thing, with same levels of blood and gore may have put out a much more simplistic disposable movie. With this version of the classic tale, Rose opens out some different thoughts on man creating man or life in our modern technologically advanced times, but also how such an artificial being would exist, feel, struggle against our fearful, aggressive and shallow world.

James E. Parsons is author of SF books Orbital Kin and Minerva Century both out now in paperback/ebook/hardback in all good bookshops internationally and online from Waterstones, Amazon, Barnes & Noble and others. His first horror novel will be published toward the end of 2017.